Tag Archives: box office

Worst Box Office slump in a decade

Worst Box Office slump in a decade as Hollywood loses golden touch

Analysts blame a surfeit of sequels and remakes

Hollywood has suffered its worst weekend at the American box office since the immediate aftermath of the 9/11 terror attacks, with analysts blaming a surfeit of sequels and remakes for deterring audiences.

Initial estimates suggested the entire gross takings for cinemas in North America would be around $US65 million ($A62.8 million) last weekend, down 20 per cent from the same period a year ago.

In September 2001, takings on one weekend fell to just $US59.7 million ($A57.7 million).
The results were so bad that the best-performing movie in America, measured in terms of revenue per screen, was Raiders of the Lost Ark, first released in 1981. It was shown on re-release on 267 screens last weekend and took in $US1.7 million ($A1.6 million), at an average $US6460 ($A6244) per screen.

No single film grossed more than $US10 million over the weekend. The nearest was The Possession, a horror story with no big stars, that took just $US9.5 million ($A9.18 million).
The Words, which stars Bradley Cooper, was savaged by critics and disappointed at the box office.

Other major releases also disappointed. The Words, starring Bradley Cooper, one of Hollywood’s most in-demand leading men, was savaged by critics as “boring” and “turgid”, while The Cold Light of Day, an action film starring the British actor Henry Cavill, Bruce Willis and Sigourney Weaver, also flopped badly after costing $US20 million ($A19.3 million) to make. It was described by The New York Times as a “catastrophe worth noting only for the presence of its name cast.” The Labour Day weekend, which has just passed, is traditionally slow for cinemas, but this year attendances sank to levels which shocked studio executives.

It capped a disappointing season for Hollywood, which had expected its biggest ever summer. In a still troubled economy, executives were reluctant to take risks on original concepts and relied heavily on a series of big-budget action films and superhero sequels.
The result was the lowest summer movie attendance in 20 years. The number of tickets sold fell to 532 million, down 4 per cent from summer 2011.

Two films that were successful – The Avengers and The Dark Knight Rises, a Batman film – accounted for almost a quarter of the entire box office return in North America. Before the summer even began, the Disney studio had been forced to incur a $US200 million ($A193 million) writedown over its science-fiction flop, John Carter, in March.

Paul Dergarabedian, a box office analyst at Hollywood.com, said: “It is pretty scary when the top movie comes in at only $9.5 million. On paper, the summer of 2012 looked like a clear record-breaker. But the audience is what makes and breaks the summer, and they didn’t come out in the numbers we expected for a lot of these films.”

Factors contributing to the slump included the Olympics on TV. The mass shooting in which 12 people were killed at a screening of The Dark Knight Rises in Colorado in July also put people off. But neither factor was believed to have had a major impact on attendance.

Nick Allen, Los Angeles – Telegraph – September 11, 2012

Global Box Office Hit $32.6 Bil in 2011, Fueled by Exploding International Growth

While the domestic box office was down a sobering 4 percent, the foreign take grew
by 7 percent to $22.4 billion; China now second-biggest international market after
Japan.

The foreign box office rescued Hollywood in 2011, with international ticket sales
reaching $22.4 billion, a healthy 7 percent increase over 2010, according to the
MPAA’s annual Theatrical Market Statistics report.

Globally, ticket sales reached $32.6 billion in 2011, only a 3 percent gain. That’s due
to a marked downturn at the North American box office, where revenue reached
$10.2 billion, down 4 percent over 2010. International reveneus made up nearly 69
percent of the pie.

“The figures on box office reflect only one indicator of an extremely complex and
evolving movie industry,” MPAA chairman and CEO Chris Dodd said. “We’re
working harder and smarter to keep moviegoers coming back for more, whether at
the cinema, at home or on the go.”

Continue reading Global Box Office Hit $32.6 Bil in 2011, Fueled by Exploding International Growth

John Carter tanks – bad news for Disney?

The failure of the sci-fi movie ‘John Carter’ opens up new questions about the studio’s weak pipeline and overall movie strategy, according to Kim Masters writing in the Hollywood Reporter.

Now that John Carter has landed with a resounding thud <at the US domestic box
office> , Hollywood is trying to decipher whether Disney will conclude that it needs
to change the guard or at least tweak its strategy when it comes to homegrown live-
action films.

Since chairman Rich Ross, 50, arrived in October 2009 and set out to remake the
film studio, competitors and others have been watching to see whether the former
cable television executive could find his legs in the movie business. Some in the
industry — pointing to marketing missteps and a sputtering pipeline — had turned
thumbs down even before Carter failed, bringing an expected write-down of more than $150 million. Others believe that Ross, perceived as a favorite of Disney chief
executive Robert Iger, will escape blame and be judged instead on next year’s slate.

Continue reading John Carter tanks – bad news for Disney?