Tag Archives: Online Media

Promoting your film online – Hunger Games

Selling a movie used to be a snap. You printed a poster,
ran trailers in theaters and carpet-bombed NBC’s Thursday night lineup with ads.

Today, that kind of campaign would get a movie marketer fired. The dark art of
movie promotion increasingly lives on the Web, where studios are playing a wilier
game, using social media and a blizzard of other inexpensive yet effective online
techniques to pull off what may be the marketer’s ultimate trick: persuading fans to
persuade each other.

The art lies in allowing fans to feel as if they are discovering a film, but in truth
Hollywood’s new promotional paradigm involves a digital hard sell in which little is
left to chance — as becomes apparent in a rare step-by-step tour through the
timetable and techniques used by Lionsgate to assure that “The Hunger Games”
becomes a box office phenomenon when it opens on Friday.

Continue reading Promoting your film online – Hunger Games

YouTube poised to upend old film models

Nora the piano-playing cat is no longer the main attraction as other programming comes on YouTube.

Since watching YouTube’s Entertainment Matters keynote at the Consumer
Electronics Show in January, I’ve spent more and more time pondering YouTube.
And YouTube has been giving me more and more to ponder, as the site is moving
away from Nora the Piano Cat and distraught Britney Spears fans to more ambitious
content.

The more I think about it, the more convinced I am that YouTube is getting ready to
burn down the filmed entertainment business as we know it. In fact, the match has
already been struck. We just haven’t felt the heat yet.

There’s been a lot of talk about targeted advertising and how that builds revenue
streams from YouTube, which reassures content producers and owners that there
will be a way to make money off Web video even as audiences splinter to
infinitessimal shards. That’s fine, but I think that talk assumes we’ll be watching the
same things, just watching them through YouTube instead of cable or broadcast.

But how people watch shapes what they watch. As people shift to watching YouTube
and other Web video services, longform video could become a niche product, just as
opera and classical music became niche products in a market dominated by pop
songs.

Continue reading YouTube poised to upend old film models

Screen business online

Appropriately enough I saw this session advertised on twitter, as for some reason I missed it in the Film Victoria ebulletins.

Film Victoria’s Brad Giblin opened this information session at ACMI today by explaining that it was a follow up to a similar one held around a year ago. The Screen Business Online program is an attempt by Film Victoria to encourage and assist people to build their ongoing viability by ramping up their online presence, and engage with their audiences online. Up to $10,000  is available as a grant, and two of the three speakers in this session were past recipients.

So what did they do with their dough?

One key takeaway from the morning was the flood of people migrating onto the WordPress platform as a way of avoiding all that mind-boggling HTML code and enabling the owners of the business to update their content easily and constantly. WordPress is essentially a way of creating a blog, and it can be free, but it’s also a way of creating a web site that will look fine on the major browsers, including the horrible Internet Explorer. So you can slap content into your site without shoving the borders sideways or ending up with a blank screen. You can go a long way with WordPress, assisted if you wish by designers and techheads who know more about CSS than you ever wanted to.

And that was well demonstrated in the presentations by Sue Maslin and Robert Connolly, who both demonstrated gorgeous sites full of content.

Sue Maslin even quoted sales figures that proved beyond a shadow of a doubt that you can make cold, hard moolah from online sales of your back catalogue – surely a thought that will bring smiles to every filmmaker’s screen. And useful wads of cash, not biscuit money.

Continue reading Screen business online

At least on YouTube it’s not all black and white

Online star … video blogger Natalie Tran says that while ethnicity is irrelevant to
YouTube success it would be preferable to see a greater spread of racial backgrounds
on television.

MAJOR TV networks stand accused of creating too few roles for people from
Australia’s ethnic mix. Firass Dirani, who portrayed John Ibrahim in Channel
Nine’s Underbelly: The Golden Mile and New Zealand actor Jay Laga’aia, recently
cut from Home and Away, have slammed racial tokenism on television.

But viewers of the democratised online platform YouTube see a different
representation of Australia.

More of them log on to Natalie Tran’s channel on YouTube than any other. Ms Tran,
25, who lives in Sydney and has a Vietnamese background, is at the top of the list of
the most subscribed to channels in Australia. Her witty and instructive video blogs
have earned her hundreds of millions of viewers globally – and a large salary.

Continue reading At least on YouTube it’s not all black and white

ABC TV’s plans for social media

The NICTA technology can overlay the Twitter discussion on top of any show on any
channel.

Your TV experience is about to get a whole lot more social, with government
researchers partnering with the ABC to bring Twitter and Facebook integration to
virtually any show on any channel.

The technology, developed by the Australian Centre for Broadband Innovation,
displays tweets about a show overlaid on top of the TV image and is also able to
recommend shows based on previous behaviour and on what the viewer’s Facebook
friends are watching.

“It’s about allowing people to engage a little more than they have been able to in the
past with what they’re watching,” said ABC’s manager of new media services, Chris
Winter, in a phone interview.

Continue reading ABC TV’s plans for social media