Category Archives: Latest News

ScreenAus’s optimism not shared by ADG

Australian documentary makers are struggling to make a living and are losing the
grip of their rights to their own intellectual property, Kingston Anderson, general
manager of Australian Directors Guild told the Australian International
Documentary Conference in Adelaide yesterday.

The comments came after Ruth Harley, Screen Australia CEO on Tuesday told the
conference as a keynote speaker, the value of documentary production was the
highest on record to date and driven by more hours of high production value series.

In Tuesday’s address, Harley said: “It’s been a great year for documentaries with 430
hours of Australian documentary projects made in 2010/11 and a total of $133
million spent on documentary production. This is above the $118 million five-year
average for documentary production.”

Anderson’s point was backed by an ADG survey which showed that the income levels
of documentary makers have declined further in the last 12 months, from 55.5% of
2011 respondents earning less than $45,000 compared to 58.6% of respondents in
2010 earning less than $60,000 per annum. This is below the average Australian
wage for August 2011 of $68,700.

Continue reading ScreenAus’s optimism not shared by ADG

At least on YouTube it’s not all black and white

Online star … video blogger Natalie Tran says that while ethnicity is irrelevant to
YouTube success it would be preferable to see a greater spread of racial backgrounds
on television.

MAJOR TV networks stand accused of creating too few roles for people from
Australia’s ethnic mix. Firass Dirani, who portrayed John Ibrahim in Channel
Nine’s Underbelly: The Golden Mile and New Zealand actor Jay Laga’aia, recently
cut from Home and Away, have slammed racial tokenism on television.

But viewers of the democratised online platform YouTube see a different
representation of Australia.

More of them log on to Natalie Tran’s channel on YouTube than any other. Ms Tran,
25, who lives in Sydney and has a Vietnamese background, is at the top of the list of
the most subscribed to channels in Australia. Her witty and instructive video blogs
have earned her hundreds of millions of viewers globally – and a large salary.

Continue reading At least on YouTube it’s not all black and white

Feature projects to receive development from SA

Screen Australia today announced over $350,000 to support 13 filmmaking teams
develop their feature film projects, taking them to the next level on the path towards
production readiness. Five new projects have been added to the development slate
while eight teams will receive continued support to develop their projects. Genres
include horror, comedy, romantic comedy, drama, adventure and children’s
animation.

Among the new projects to receive support for development is The Tunnel: Dead
End, the sequel to the successful crowd-funded online horror feature film The Tunnel
from producer/writers Enzo Tedeschi and Julian Harvey and director Carlo
Ledesma.

Continue reading Feature projects to receive development from SA

Katrina Sedgwick swaps jobs with Amanda Duthie to take Head of Arts

The former director and CEO of the Adelaide Film Festival, Katrina Sedgwick, has
been appointed the new ABC TV Head of Arts in a seeming swap. She replaces, in
part, former ABC content head of arts and entertainment, Amanda Duthie, who was
appointed director and CEO of the Adelaide Film Festival in December.

The move comes after criticism of the ABC’s perceived diminution of arts
programming after the axing of production staff in Melbourne and the weekly arts
program Art Nation.

In a statement announcing Sedgwick’s appointment, director of ABC TV Kim Dalton
said, “This new stand alone position reporting directly to me will provide stronger
focus on our arts programming. As a result of changes to our arts production and
line up last year we have increased the resources committed to prime-time arts
programming to be commissioned from the independent production sector,” he said.

Sedgwick will begin the newly-created role, based in Sydney, on 11April.

From The Australian. Michael Bodey. ABC TV names new Head of Arts
February 24, 2012 1:26PM

More Here:
Google: ABC TV names new Head of Arts

ABC TV’s plans for social media

The NICTA technology can overlay the Twitter discussion on top of any show on any
channel.

Your TV experience is about to get a whole lot more social, with government
researchers partnering with the ABC to bring Twitter and Facebook integration to
virtually any show on any channel.

The technology, developed by the Australian Centre for Broadband Innovation,
displays tweets about a show overlaid on top of the TV image and is also able to
recommend shows based on previous behaviour and on what the viewer’s Facebook
friends are watching.

“It’s about allowing people to engage a little more than they have been able to in the
past with what they’re watching,” said ABC’s manager of new media services, Chris
Winter, in a phone interview.

Continue reading ABC TV’s plans for social media

Britain enters a golden era of the short film

According to Sarah Morrison of The Independent, Britain is entering a golden era of the short film. Apparently the medium has moved out of art houses and into the mainstream as its popularity soars.

Charlie Chaplin built a career on them, and brands are now using them to sell their
latest products. The short film, once a slightly marginal staple of art houses and film
buffs, is experiencing a golden era in Britain and is reportedly reaching wider
audiences than ever before.

Advances in film-making technology and the growth of the internet are behind the
rise, experts say, but their popularity is down to more than digital progress. The
short film, with its capacity to convey ideas concisely, is capturing the mood of an
increasingly time-pressed, information-hungry generation.

Briony Hanson, director of film at the British Council, said we are at a “watershed
moment” when it comes to the proliferation of “perfect little vessels that tell a story
in their own right”. “We are looking at a golden era in Britain,” she said. “Just over
20 per cent of shorts in the total Sundance [Film Festival] selection were UK-made in
2012, while last year, the figure was 6 per cent.”

Continue reading Britain enters a golden era of the short film

Tropfest 2012 winners

Wild weather can’t dampen spirits as winner adds some fizz to
Tropfest

Garry Maddox – SMH – February 20, 2012

Winners are grinners … Alethea Jones (with some other dude in the background)

IN THE race between the films and an approaching thunderstorm, the films won –
but only just – at the 20th Tropfest in the Domain last night.

In heavy rain and intermittent lightning, a judging panel that included Cate
Blanchett, Geoffrey Rush, Nicole Kidman, Toni Colette, Asher Keddie and John
Polson gave the top prize at the country’s biggest short film festival to Alethea Jones
forLemonade Stand, a comedy about a man and his grandfather whose efforts to sell
lemonade bring a clash with an officious council officer.

She collected her prize in a near-deserted Domain, without a working microphone,
amid a few hundred hardy souls sheltering in the VIP tent.

Jones said she was ”absolutely thrilled” and ready to take the next step in her
filmmaking career. Asked whether she planned to step up from shorts to a feature
film, Jones said: ”I’ve got five ready to go.” She is the third woman to win in the past
five years, winning two weeks after signing up for the dole.

In a year in which the 700-plus entries were required to include a ”lightbulb” as the
signature item, Jones’s prizes include a trip to Los Angeles to meet film industry
executives, a $6000 camera and $10,000 cash.

Continue reading Tropfest 2012 winners

Grand Designs – Building egos as well as homes

Grand Designs – Building egos as well as homes

OPINION: Michael Duffy – SMH – February 20, 2012

I have a recurring dream in which the television program Grand Designs becomes
mixed up with Midsomer Murders. A serial killer is taking out all those irritating
couples in their North Face leisure wear, splattering viscera over the bare white
interiors of their concrete brag boxes in the English countryside.

This uncharitable vision stems from my love-hate relationship with Grand Designs,
which cleverly applies the hero’s journey to home building. In a typical program
Kevin McCloud, a natural television presenter, takes us through the journey of a
wealthy couple who overcome adversity to complete their building. He manages to
express telegenic surprise when deadlines are missed and budgets exceeded – as
though this were completely unexpected – and, at the end, blesses the enterprise with
an emotional, if somewhat vague, homily, such as: ”Although it is a very assertive
building, it’s also very subtle and sensitive” and “this brilliant, if unfinished, building

was snatched from the jaws of doom … buildings like this need heroes and heroines.”
The show is watched by a million Australians and its success tells us a lot about the
way we live now.

Continue reading Grand Designs – Building egos as well as homes

Oscars voters white and male

Oscars voters have been finally unmasked – they are 94pc white and 77pc male. What a surprise!

As a well-trodden red carpet is rolled out the 84th Academy Awards ceremony this week, the question of who casts the final votes has reared its shiny gold head once again.

Celia Foote (Jessica Chastain, left) befriends herusekeeper Minny Jackson (Octavia Spencer, right), in 'The Help'   'The Help' - A bitter-sweet tale

Octavia Spencer, who plays housekeep Minny Jackson in The Help, has been nominated for an Oscar Photo: DALE ROBINETTE

By Amy Willis, Los Angeles

Claims of inequality at the Oscars have rocked the Hollywood guild for years, with less than 4 per cent of awards being won by African Americans and only one award being given to a female director – Kathryn Bigelow; yet the academy has notoriously remained tight-lipped about its 5,765-strong voter roster.

A single statuette can add millions to box office revenues and propel an actor to instant stardom, but while winners reap the rewards, mystery still shrouds the voter-base – until now.

A study by the Los Angeles Times has finally unmasked the highly-secretive electorate, claiming to have identified 5,112 of the guild’s 5,765 voters, and finding that the voter-base is 94 per cent Caucasian and 77 per cent male.

Continue reading Oscars voters white and male

Julia Overton honoured by AIDC

22 February 2012

Julia Overton has been awarded the 2012 AIDC Stanley Hawes Award. She will
accept the award at the opening of the Australian International Documentary
Conference (AIDC) being held in Adelaide, South Australia from February 27 – March
1.

According to the AIDC commendation, ‘during her time at the Australian Film
Commission, the Film Finance Corporation, and most recently, at Screen Australia,
Overton was known to be the human element within the bureaucracy. She was
always willing to look at guidelines as guidelines and not interpret them as rules. She
will go to great lengths to assist individual filmmakers and promote the documentary
genre as a whole, and has opened more doors for documentaries, both in Australia
and to the rest of the world, then anyone in the business.

‘Besides her work at the agencies, she has a multi-faceted track record in production,
encompassing feature films (Cut, Spider and Rose, Fistful of Flies, Until the End of
the World, Travelling North), TV drama (Aftershocks, The Long Ride, Tudawali) and
the multi-award winning documentary (Black Man’s Houses). Prior to her work as an
independent producer Overton worked on documentary programs for CBC Canada
and drama for London Weekend Television, UK.’

Mitzi Goldman, Co-Chair of the AIDC Board describes Overton as a ‘powerhouse’ and
says that, “Julia’s imprint on Australian documentary has been immeasurable and
AIDC is absolutely delighted to honour her with this year’s Stanley Hawes Award”.

Following the Award Ceremony on Monday 27 February, Overton will deliver the
Stanley Hawes Address.

The Stanley Hawes Award was established in 1997 to honour Stanley Gilbert Hawes
(1905 -1991) who was the first Producer-in-Chief of the Australian National Film
Board and Commonwealth Film Unit. The award recognises the significant support
Hawes gave independent filmmakers in the documentary sector and is awarded to a
person or organisation that makes an outstanding contribution to the industry in
Australia.